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Considerando o Texto III, analise as assertivas a seguir e assinale V, se verdadeiras ou F, se falsas.
( ) No texto III, não há traços de subjetividade, apenas a descrição concreta de uma cena.
( ) O texto III, através do uso de recursos estilísticos, pode estimular a reflexão e a análise crítica de uma situação do cotidiano.
( ) O poema de Manuel Bandeira traz como tema a animalização do ser humano frente a problemas sociais como a fome.
A ordem correta de preenchimento dos parênteses, de cima para baixo, é:
Because I could not stop for Death by Emily Dickinson
"Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality."
Source: https://earlybirdbooks.com/most-famous-poems
The text above refers to which textual genre?
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O poema, embora contemporâneo, assemelha-se aos textos da segunda geração romântica por cultuar o escapismo e a atitude melancólica diante da vida.
O emprego de rimas pobres, tais como “vagar/brilhar/acertar/amar”, por exemplo, distancia o texto da função poética da linguagem.
Consider the poem below:

Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay  In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way,  I doubted if I should ever come back.  I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I I took the one less traveled by, And that has made all the difference.

What is the poet's main message in "The Road Not Taken" by Robert Frost?